View source for Kuzma Petrov-Vodkin

'''Kuzma Petrov-Vodkin''' (1878–1939) was a Russian and Soviet painter whose synthesis of icon-painting tradition with modernist form created some of the revolution era's most distinctive images.

== Work ==
* ''Bathing of the Red Horse'' (1912) — the crimson steed that became an accidental emblem of the revolutionary epoch.
* Icon-trained (Paleykh-influenced early work), traveled through Europe and North Africa; developed his "spherical perspective" — curved-space composition rejecting Renaissance single-point depth.
* Soviet period: ''1918 in Petrograd'' (the Petrograd Madonna — a nurse-mother before a barricaded street), ''Death of a Commissar''; taught and theorized drawing method; memoirs ''Khlynovsk'' and ''Euclid's Space''.

== Significance ==
Petrov-Vodkin demonstrates the fusion Infrared celebrates: '''icon and revolution''' — the religious visual language of old Russia painting the new world's subjects without irony or rupture. He anchors the claim that socialist culture was not the destruction of national tradition but its transfiguration (compare the theological line in [[Communism is Islam]], [[Tawhid]]).

== See also ==
* [[Andrei Voznesensky (Poet)]]

== References ==
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[[Category:Art]][[Category:Soviet Union]][[Category:Culture]]